Charles and Ray Eames for Herman Miller Chromed-Steel and Mohair Compact Sofa

Vintage compact sofa designed in 1954 by Charles and Ray Eames for Herman Miller. An adaptable piece whose dramatic, clean lines and slim profile suit small and large spaces, alike (in small rooms, it provides a non-bulky option that won’t dominate the space; in larger rooms, it still provides both a pleasing modernist aesthetic and comfort while allowing the space to remain open and breathable). Newly reupholstered in blue mohair with fresh foam (webbing is original and sound). Chromed base and steel frame have been cleaned and is in very good, vintage condition. Retains all four stainless steel glides.
Dimensions: L 72″ x H 35″ x D 30″
Seat height (edge): 17″
Inner seat height (lowest): 13″
When collapsed the height becomes 21″.

Early Aluminum Group Chair by Charles and Ray Eames for Herman Miller

Early high-back lounge chair with swivel / tilt function designed by Charles and Ray Eames and manufactured by Herman Miller as part of the Aluminum Group collection. Composed of black channelled vinyl seat with linen cushion headrest on four-point ‘contract’ base with original feet. Arm rests are clear-coated aluminum.
Branded Herman Miller ‘Patent Pending,’ suggesting that this was produced within the first two years of the design’s introduction (1958 or 1959).
Measures: L: 25.25″ x H: 40″ x D: 32″
Seat Height: 14″
Very good, vintage condition with only minor wear, as shown.

George Nelson for Herman Miller Rosewood ‘Lazy Susan’ Table

This circular table was designed by George Nelson for Herman Miller in the 1950s and features a rosewood top and trim. In the center is a functional ‘Lazy Susan’ in white laminate, insulated in rosewood, allowing for full 360 easy access. This combination of materials is not often seen and makes for a stylish yet practical solution for any dining scenario.

Condition: Good. Rosewood top is in excellent, restored condition. steel base shows loss in places, as pictured.

Dimensions:

H: 29″ x Diameter: 47.25″

Pair of Early Eames Aluminum Group Chairs for Herman Miller

Early pair of high-back lounge chairs with swivel / tilt function designed by Charles and Ray Eames and manufactured by Herman Miller as part of the Aluminum Group collection. Composed of black channelled vinyl seats with headrests on four-point ‘contract’ bases with original feet. The original clear-coat has been removed from the arms, revealing beautifully polished aluminum rests. There is a small separation / split at the bottom of one of the armrests. Arm rests can be removed entirely, as displayed in the last images. Branded HM ‘Patent Pending,’ suggesting that these were produced within the first two years of the design’s introduction (1958 or 1959). Without arms, the length is: 23″, with arms, it’s 26.5″.

H: 38″ x W: 26.5″ x D: 30″ x Seat Height: 16″

Pair of Vintage Rosewood Eames 670 Lounge Chairs with Ottoman

Iconic pair of 670 lounge chairs and single matching 671 ottoman by Charles and Ray Eames for Herman Miller. These are early-mid 1970s examples (one chair is marked 1975, as shown) and retain the black rectangular Herman Miller tags. These will come with new Herman Miller authorized shockmounts, to ensure longevity. (Often, the original adhesive detaches from the mounts – a design flaw remedied with mount and adhesive replacement that does not alter the appearance.)

H: 32″ x W: 33″ x D: 30″ x Seat Height: 16″

Ottoman measures: D: 21.5″ W: 25.5″ H: 17″

 

Small Eames for Herman Miller Black Laminate, Plywood, and Chrome LTR SideTable

$300.00

Charles and Ray Eames for Herman Miller LTR (low table rod) side table originally designed in 1950 in layered plywood with a black laminate top supported by a resistance-welded chromed metal cross-brace base (ca. 2003, USA).
The design of the table was influenced by airplane construction, and the the goal was to create a high-strength, low-weight structure using similar bracing struts and wires for support.
The small size (scaled down from the larger version from the same series) coupled with an extraordinary capability to withstand heavy weight lends itself to use as a handy low sofa or bedside table, stool, plant stand, or easily transportable writing surface/tray table. It can also sit atop a larger table or console.
Despite its simplicity, there are stylish design attributes including the architectural chromed-steel base and beveled edges, which better reveals the seven surface layers of birch plywood.
Minimal, elegant piece that is equally practical and durable.
Good, used condition (patch of wear to black laminate surface along with general wear to the metal base, as shown).
Retains the Eames for Herman Miller tag to the reverse (this particular tag was used between 2003-2007).
Small/short size – H: 9.88″ x L: 15.5″ x D: 13.25″

Vintage Multi-Color Birch Desk by Charles and Ray Eames for Herman Miller

Modernist single-drawer desk designed by Charles and Ray Eames for Herman Miller (introduced in 1950, this model is an authentic Herman Miller produced version from the 1990s). Composed of a birch veneer surface and drawer front with Mondrian inspired hardwood panels in an attractive array of colors: black, yellow, red, white and blue. Steel stretchers above the drawer act as additional enclosed shelving. Sturdy and practical, without sacrificing style. Very good, refinished condition; only minor wear remains, as shown (patina to the steel and slight edge wear to the blue panel). Additionally, there is no back bottom stretcher (early models didn’t always include this piece, this one was removed likely for “partner” use).
Retains the “Eames for Herman Miller” medallion.
H: 29.25: x D: 28″ x L: 60″
Drawer Interior: H: 10.75″ x D: 21″ x L: 12″

Vintage Sage Mohair Daybed with Hairpin Legs by George Nelson for Herman Miller

$3,600.00

Iconic hairpin/v-leg daybed/settee by George Nelson for Herman Miller.
Early example (ca. 1950) with a metal spring and maple frame construction, this version designed without back brackets but with two removable bolster cushions — all supported by aluminum hairpin legs (later models are stainless steel).
Retains its original sage mohair upholstery with signature Herman Miller rounded welt-cord piping of the cushions.
Frame has been conservatively restored. The original mohair shows wear consistent with age/use (snags, fading, impressions). Usable as is with aforementioned wear, though reupholstery is recommended.
Partial tag present to the understand – unsigned.
H: 26.25″ x L: 75.5″ x D: 33″ x Seat Height: 15.75″
Seat cushion alone – L: 75.5″ x D: 32.25″
Frame alone without cushions – H: 10″ x L: 75″ x D: 33″