“Etruscan” Coffee Table in Bronze with Serpent Decoration by Christopher Chodoff

Brutalist “Etruscan” coffee table by Christopher Chodoff inspired by Diego Giacometti’s designs (ca. 1980s, USA). Composed of a densely textured hammered cast bronze frame with x-stretchers and a gold-tone cast metal serpent.
The 1/2″ thick tempered glass top is likely a latter addition, given its size, which is only about 1″ longer and deeper than the base.
There are a couple of scuffs to the glass; otherwise, the table is in excellent, vintage condition.
Measures: H: 16.88″ x D: 25.13″ x L: 41″.

1960s Brutalist Cast-Aluminum Candelabra by Donald Drumm

Early example of Donald Drumm’s candelabras composed of an arrangement of five holders in a sculpted, cast-aluminum form. Magnificent objet d’art / table-top conversational piece.
Incised signature present.

H 9.5″ x W 14″ x D 4″

Brutalist Four-Panel Credenza by Adrian Pearsall for Craft Associates

This unique credenza in the Brutalist style of Paul Evans was designed by Adrian Pearsall for Craft Associates and is composed of molded resin decoration in gold and bronze tones over a wooden frame. The ‘push’ latch mechanisms open and close each door with a simple motion. The doors open to reveal two fixed shelves (one/side) and a sizable middle drawer. The piece retains its original black paint on the surface, plinth base, and back, although there is minor loss to the back. The matching wall-mounted bar will be listed separately.

H: 26.25″ x W: 68.5″ x D” 17.75″

Brutalist Metal and Wood Horse Bookends

$600.00

Unique circa 1970s, USA Brutalist-style horse bookends composed of cut and soldered sheet metal heads and legs with carved wooden bodies and wire tails. Very good, vintage condition, with minor wear consistent with age / use.

H 8″ x W 6″ x D 5″

Brutalist Torch-Cut Brass ‘Cats’ Wall Sculpture

$225.00

Mid-Century Modern ‘trio of cats’ sculpture in torch-cut sheet brass with soldered whiskers. Very nice patina and age.

10.5ʺW × 2.75ʺD × 16.5ʺH

Brutalist Wall Mounted “Disc” Bar by Adrian Pearsall for Craft Associates

Brutalist wall-mounted disc bar designed by Adrian Pearsall for Craft Associates inspired by the PE-122 bar designed by Paul Evans (ca. 1970s, USA).
Bar features two doors of sculpted resin over wood concealing a cabinet with two adjustable/removable shelves and a polished chrome sheet metal backing (appearing as a mirrored back). Luxurious, striking conversation piece with rich bronze and gold tones and intriguing incorporation of abstract shapes, linear patterns, and dense textures.
There is a back lip running the length of the cabinet itself that can be mounted to a wall-mounted ledger board. We have custom cut a ledger board, which can be included with the cabinet upon request.
Very good, conservatively restored condition with only light wear remaining: there are a couple of streaks to the original paint on one side of the cabinet itself along with a bend to one side of the chrome sheet metal backing, as shown.
From the collection of a prominent New York City architect.
Overall dimensions: H: 48.38″ x L: 48.25″ x D: 12.75″ / D: (doors open) 27.75″
Cabinet exterior dimensions: 23.75″ x L: 31.75″ x D: 12″
Cabinet interior dimensions excluding removable/adjustable shelves: H: 22.5″ x L: (each section) 14.63″ x D: 11″

Brutalist-Style Hammered and Painted Iron Fire Tools with Wall-Mounted Holder

$650.00

Circa 1970s / 1980s fire tool set including poker, log holder, brush, and shovel with wall-mounted holder. Nice texture with hammered detail to the forged iron with gilt finish. Paint loss in places / patina from age use. Remains in good, vintage condition.

Circa 1940s Wooden Workman Stool with Leather Top

Charming single wooden workman stool in a brutalist / rustic style with a wrought iron foot rest and a leather top applied with decorative tacks / thumbnails. There is a sculpted opening in the middle of the seat designed for easy transport by hand. Suitable height for bar use.
Seat diameter 10.5″
Base diameter 13.75″
Height 30.25″.

Hy Snell Bucking Bronco Mixed-Metal Sculpture on Board

This mixed metal sculpture is comprised of a combination of bronze, copper, found object metal (coins), and others. It is mounted to a walnut board bearing a label with the artist’s name ‘Hy T Snell.’ The piece is additionally artist signed. Sculptures of Hy Snell (b. 1919) focused on motion, and his subjects ranged from ballerinas to boxers to polo players (and in this case, a cowboy riding a bronco). Snell’s story and impressive works gained the admiration and attention of the pharmaceutical company, Pfizer, and he’s become a focal point of the company’s Get Old campaign. Displayed on the street-level windows of its New York City headquarters are two large photos of Snell. This is a monumental example of the artist’s work that embodies both movement and the marriage of similar but different materials, his two objectives in sculpture design.

H: 12″ x W: 20.75″ x D: 3.25″

James Bearden Abstract Peacock Sculpture

Whimsical peacock sculpture by noted sculptor, James Bearden, composed of torch-cut, welded, and polished steel, fused bronze, copper, and enamel mounted to a wooden base. Exceptional form and color. Artist signed in marker.

Condition: Sculpture itself is in excellent condition (crude, roughhewn state with oxidation in certain places by artist’s design).
There is minor wear to the base

H: 33.75″ x W: 11.25″ x D: 11″

James Bearden Cat Sculpture

Whimsical cat sculpture by noted sculptor James Bearden comprised of torch-cut, welded, and polished steel, fused bronze, copper, and enamel. Artist signed in marker and illegibly dated (believed to read ’06).

H: 6″ x W: 36″ x D: 4.25″

Kinetic Brutalist ‘Carnival’ Sculpture by David Hall-Coleman

1962 David Hall-Coleman kinetic mixed-metal sculpture entitled, ‘Abandoned Carnival Machine.’ Extraordinary sculpture composed of torch-cut and soldered brass and copper elements on an oak wood board. Fascinating conversation piece with interactive elements such as two windmills which manually turn. Sugaring and oxidation to the metal produced the red and green tinges seen throughout the piece. Signed, titled, and dated on the reverse. Base measures: D 8.25″ x L 14″.

H: 11.75″ x W: 17.25″ x D: 9.25″