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Early Florence Knoll Credenza / Cabinet in Mahogany, Birch, and Grasscloth
Uncommon and early Florence Knoll Credenza (1947) featuring a birch cabinet, stained mahogany base, and grasscloth-wrapped doors, which slide open to reveal three wooden shelves to the left and two plate glass shelves to the right. Dramatic lines enhanced by sculpted, splayed legs, which add nice contrast to an otherwise organic form.
Interior components and leather pulls are all original and show wear (fissures / fleabites present to glass shelves, which can be arranged to mask these flaws, so that the wear is contained to the underside and back). Lovely patina to the leather and paint losses to the interior (white paint is original and is presented, accordingly). Birch has been newly refinished and grasscloth doors have been fully restored to ensure longevity. The stained mahogany base is completely original with only light wear, as shown.
Measures: H 32.5″ x D 14.875″ x L 72″
There are four sections in total – one with two wooden shelves, one with a single wooden shelf, one with two glass shelves, and an open storage section. The orientation of all sections with shelves can be changed, as the shelves are all removable and the same dimensions. The interior sections all measure: H 16″ x D 11.5″ x L 16.75″
References: Knoll Furniture: 1938-1960, Rouland and Rouland, pg. 130
Modern furnishings for the Home, Hennessey, pg. 139 illustrates variation of this form.
Early Jens Quistgaard for Dansk Flamestone Coffee / Tea Set
Denmark ‘Flamestone’ coffee or tea pot, creamer, and sugar by Jens H. Quistgaard for Dansk designs, circa 1958-1964.
Features the Flamestone signature slate, almost brown glazed-earthenware with striated pattern and white with a tinge of green porcelain interior. Elegant, attractive set with sculpted handles and spout.
Early, Danish production, as indicated by the markings and rough exterior (a smooth version was introduced in 1964).
The pitcher has a small stress line to the interior (likely occurring post-kiln during the drying process). It does not effect the integrity of the piece and is only visible from the interior.
There is also a tiny fleck to the rim of the teapot lid. Very minor and barely visible.
Measures: Pitcher H 13.5″ x L 7.5″ x D 5″
Sugar H 3.25″ x L 6.25″ x D 5″
Creamer H 4.5″ x L 3.75″ x D 2.25″.
Early Jens Risom Walnut and Mohair Lounge Chair
This early lounge chair mounted on sculptural walnut legs was designed by Jens Risom for his eponymous furniture manufacturing firm, Jens Risom Design Inc. The piece is newly upholstered in a luxurious gray mohair. The foam has additionally been replaced.
H: 34.5″ x W: 31″ x D: 28″ x Seat Height: 18.75″
Early Nanna and Jørgen Ditzel ‘Ring’ Chair in Suede and Teak
Original Danish ‘Ring Chair’ often referred to as the ‘Pølse Stol’ (Sausage Chair) designed by Nanna and Jørgen Ditzel for Kold Savvaerk in 1958. An early example (model 114) in stained teak recovered in an off-white suede (the foam has additionally been replaced).
Vivid grain and rich, dark stained-teak color contrast beautifully with the off-white suede.
Retains the Danish control tag, indicating manufacturer and designer: Kold Savvaerk Kerteminde Møbelfabriken A/S Design: Nanna Ditzel.
H 25.25″ x W 31.75″ x D 26.25″ x Seat Height: 15.75″
Condition Notes: Legs have been refinished (finish blended to identically match that of the original). Suede and foam are new.
Early Opal Glass ‘Satellite’ Pendant by Vilhelm Wohlert for Louis Poulsen
$800.00Early Piero Fornasetti “Tureen and Ladle” Stoviglie Lithograph Porcelain Dish
Early Piero Fornasetti lithographic transfer and gilt porcelain decorative dish from the “Stoviglie” line depicting a tureen and ladle (design #12 – Milan, Italy, 1956).
Uncommon square shape measuring H: 0.75″ x D: 7″ x L: 7″
Surface shows light scratches, scuffing and small losses to the printed decoration consistent with age/use (not visually distracting).
Stamped in verso: STOVIGLIE/FORNASETTI/MILANO/MADE IN ITALY, dated 1956 and numbered 12.
Early Production Eero Saarinen for Knoll Womb Chair and Ottoman
Iconic, early example (circa 1950/51) ‘Womb’ chair by Saarinen for Knoll. Newly recovered in blue mohair. Bent-wrought iron frame retains its original black paint and press-on glides (indicative of an early production). There is paint loss to the bases (we wanted to demonstrate the nice age and opted to leave them original). However, bases can be restored upon request.
Mohair swatches available upon request.
Ottoman measures:
H: 15.5″
D: 19.5″
L: 25″
Chair:
H: 36.5″
D: 34″
L: 39″
Seat Height: 17″
Arm Height (lowest): 20.75″
Arm Height (highest): 22″
Earth Tone Stoneware Charger Signed Polk, 1970
Striking stoneware charger / decorative plate in attractive earth tones of ochre and brown with swaths of red and a strip of brown leather attached to the handle. Central pattern featuring sgraffito technique, adds a nice textural element, while the beige handle with its pop of light blue adds yet another dimension of color to the piece.
Excellent, vintage condition; leather strap is dried out from age. Signed ‘Polk ’70.’
L: 12.25 x D: 11.5″ x H: 1.25″




